Explore Matt’s Music

The catalog and portfolio of Pianist/Composer Matt Krane’s work

About

Recognized as having a characteristically eclectic yet consistent harmonic sensibility, Pianist and Composer, Matt Krane (b. 1999) has performed and premiered his work throughout the country. His music is defined by fluidly dissonant but traditionally-minded harmony and song-like melody that both furthers conventions and respects the history of the various musical genres for which Matt writes.

Matt has composed for various ensembles and vocal forces, including, recently, Sax Talk, written for and premiered by Qobalt Quartet in 2025, Three Poems of Sara Teasdale for Voice and Piano, and solo pieces for various performers of the greater New York area . He regularly revises works, having recently recorded a set of concert rags which is now pending digital release. In addition to composing, Matt is a dedicated music educator, directing various instrumental and choral ensembles.

After attending SUNY New Paltz for a B.A. in Jazz Studies and Lehman College for an M.A.T. in Music Education, Matt resides in New York, NY, where he recently completed a Masters in Composition at Queens College, studying under David Schober and Bruce Saylor.

Influences of jazz and popular music as well as literary themes often constitute Matt’s artistic motivation. He hopes to continue his education, writing music for concert/chamber groups, jazz ensembles, and pedagogical purposes alike.

Recently Published Works

Sax Talk

Sax Talk consists of four movements defined by contrasting musical behaviors and textures, each functioning diﬀerently in support of the work’s broader structure. Melodic themes are presented mostly sustainedly, while textural elements often remain immediate—be they articulated passages, tremoloed chords, or otherwise. Material emerges and recedes throughout the four movements, and occasionally resists clear thematic development in favor of loosely connected gestures. The third movement, written solely for alto saxophone, is thematically distinct from the others. Listeners are encouraged to consider how the various textures cooperate within the ensemble."

circa 20’

Contact

For inquires related to commissioning and licensing works, as well as general administrative and operational matters.